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RUNNER’S HIGH
Colorplay
Speed And Sunshine
Open Source Book: Accidental Beauty
“fifty wish”
PAL-WOL
What are your 3 favourite objects?
Nirgendwohin - Cover #1 / #2
Illya Goldman Gubin
English
Nov 2025
2 P. Artwork
300 × 220 × 50 mm
Limited to 50
This artwork is by Berlin-based artist Illya Goldman Gubin, an artist whose work has drawn the attention of international collectors, including creative director Demna.
The piece was released alongside his new “Carton” collection, unveiled in Seoul in November 2025. The “Carton” series transforms crumpled cardboard boxes into sculptural objects and furniture through meticulous resin and fiberglass coating. This limited edition artwork captures the gestures and processes of that
transformation on both the boxes and the accompanying paper pieces.
Produced in an edition of 50, each work is one-of-a-kind, individually numbered and signed by the artist.
The piece was released alongside his new “Carton” collection, unveiled in Seoul in November 2025. The “Carton” series transforms crumpled cardboard boxes into sculptural objects and furniture through meticulous resin and fiberglass coating. This limited edition artwork captures the gestures and processes of that
transformation on both the boxes and the accompanying paper pieces.
Produced in an edition of 50, each work is one-of-a-kind, individually numbered and signed by the artist.
444 × UNVEIL
English
Nov 2025
210 × 297 mm
200 p. Hardcover
A visual interpretation of our ultra run across Italy.
A journey of over 200km of blood, sweat and tears seen through the perspective of UNVEIL.
A journey of over 200km of blood, sweat and tears seen through the perspective of UNVEIL.
Berin Photobook Distribution
English
May 2025
ISBN: 979-11-982919-6-7
210 × 200 mm
48 p. Softcover
The first issue of BFK’s photo zine Colorplay captures the essence of Berlin through its colors. Presented in two parts, it showcases bold abstract graphics distilled from dominant hues and the original street photography that inspired them. The project offers a visual exploration of the city’s shifting moods, transforming everyday urban scenes into a vibrant palette.
A tribute to California’s car culture
Robin Kim
English
September 2024
ISBN: 9791198291950
205 × 275 mm
160 p. Hardcover
This book archives the landscapes and cars of California through the eyes of Robin Kim, a car designer and photographer. The photographs, taken over approximately five years beginning in 2017, capture the warm sunlight that fills the landscapes and the various cars found in different locations. We hope you enjoy experiencing these unique cars, not easily encountered in everyday life, through Robin Kim's perspective.
Heesosung
English, Korean
July 2024
ISBN:
215 × 165 mm
105 p. Softcover
The book "Accidental Beauty," created from the perspective of graphic designer Heesosung, is a map that captures a journey of about four years to be made into its current form as an archive. The act of 'sculpture collecting' that evolved from the author's aesthetic hobby is woven into her travels to various locations including Seoul, Paris, Berlin, Amsterdam, and Japan where she currently resides, inviting you into an experience of chasing sharp and irregular rare pieces within the rough cityscape.
Hernc
English
November 2023
ISBN: 9791198291929
176 × 250 mm
140p. Softcover
"Putting aside momentarily the work and setting out to explore the curious world and the next path, I write down 50 wishes for the future me after the journey. Emptying the jealousy and the restless heart that have filled me during this time, I make a commitment by jotting down 50 items on my wishlist, ready to make room for new things.As I write about what I need to let go of and what I want to embrace, I look forward to the stories that may unfold for me in the future, in whatever form they may come."
Renata Kats
English
November 2023
ISBN: 9791198291943
190 × 240 mm
68 p. Softcover
The subject of love: it’s a universal concept. At the time when I
started my research, was in desperate need of a story that would
help reshape my perception of love in a modern world. When I
began my search, many stories I encountered lacked sincerity
and depth. I was searching for an out of this world pulsating
energy. Then I met Pierre and Jiyeonne, a French-Korean couple
who, once they met on a dating app on the 21st of August 2018,
have not left each other’s sides since.
Sven Durst
English
August 2023
ISBN: 9791198291912
210 × 297 mm
86 p. Softcover
What kind of connections do we as people have with objects?
What is behind the process of us charging material emotionally and symbolically?
Which objects are most precious to us and why are we more attached to certain objects than others? What do these objects tell about ourselves?
This research explores these questions in an interview format.
The idea was to choose 11 people for an inter- view and set up 4 guidelines for myself:
• The amount of strangers and friends interviewed must be equal.
• Each person gets asked the exact same question.
• I go to the person‘s home and photograph the person and their objects in their “natural habitat“.
• I only take 4 photos per person. Portrait, object 1, object 2 and object 3. All photos are taken on film.
The guidelines were quickly established, but taking action proved more difficult than expected. It was a big step out of my comfort zone to enter the intimacy of a person‘s home, especially when the first encounter was the interview itself. Every time I entered a new flat, the same thousand questions flashed through my mind:
What kind of stupid project is this?
Where is all this going? Will this be weird?
What if we don‘t connect?
I realised the question “What are your three favourite objects?” and the resulting conversations quickly cre- ated an open and intimate atmosphere. For me, the objects symbolise doors, doors to people. Doors you can go through to get glimpses into people‘s lives and stories.
What is behind the process of us charging material emotionally and symbolically?
Which objects are most precious to us and why are we more attached to certain objects than others? What do these objects tell about ourselves?
This research explores these questions in an interview format.
The idea was to choose 11 people for an inter- view and set up 4 guidelines for myself:
• The amount of strangers and friends interviewed must be equal.
• Each person gets asked the exact same question.
• I go to the person‘s home and photograph the person and their objects in their “natural habitat“.
• I only take 4 photos per person. Portrait, object 1, object 2 and object 3. All photos are taken on film.
The guidelines were quickly established, but taking action proved more difficult than expected. It was a big step out of my comfort zone to enter the intimacy of a person‘s home, especially when the first encounter was the interview itself. Every time I entered a new flat, the same thousand questions flashed through my mind:
What kind of stupid project is this?
Where is all this going? Will this be weird?
What if we don‘t connect?
I realised the question “What are your three favourite objects?” and the resulting conversations quickly cre- ated an open and intimate atmosphere. For me, the objects symbolise doors, doors to people. Doors you can go through to get glimpses into people‘s lives and stories.
Bo Kyoung Han
English
May 2023
ISBN: 9791198291905
105 × 148 mm
128 p. Hardcover
After attack
“Nirgendwohin” or “To nowhere” is a story about escaping from self-denial and criticism.
The word “nowhere” represents a place where nobody knows me or understands my language — yet it is a record of being a complete stranger in a voluntary but also coercive place of refuge. It is a record of being a perfect stranger in a place where nobody else can comprehend me. In the country where I live and exist, there is a need for clear justification for all my actions. Starting from the smallest things, there is a need for rationale for my actions. I must take responsibility for all of my relationships. I need a valid justification that corresponds to the consequences of my actions. However, during my journey, I become a complete stranger, focusing solely on three essential elements: “food, clothing and shelter.” In the space and country where I have spent my entire life, there are scratches scattered everywhere. Without waiting for everything that had decayed and deteriorated in every corner of my life to be washed away, I ended up running away. In a completely strange place that I have never experienced or lived in before, I documented the process of collecting objects and observed the combinations of mismatched objects. For that time, I believed it was the only breakthrough where I could escape from responsibilities, criticism, and forgiveness that might never come. Why should I be doubted, demanded to provide evidence, and forced to explain myself?
“Nirgendwohin” or “To nowhere” is a story about escaping from self-denial and criticism.
The word “nowhere” represents a place where nobody knows me or understands my language — yet it is a record of being a complete stranger in a voluntary but also coercive place of refuge. It is a record of being a perfect stranger in a place where nobody else can comprehend me. In the country where I live and exist, there is a need for clear justification for all my actions. Starting from the smallest things, there is a need for rationale for my actions. I must take responsibility for all of my relationships. I need a valid justification that corresponds to the consequences of my actions. However, during my journey, I become a complete stranger, focusing solely on three essential elements: “food, clothing and shelter.” In the space and country where I have spent my entire life, there are scratches scattered everywhere. Without waiting for everything that had decayed and deteriorated in every corner of my life to be washed away, I ended up running away. In a completely strange place that I have never experienced or lived in before, I documented the process of collecting objects and observed the combinations of mismatched objects. For that time, I believed it was the only breakthrough where I could escape from responsibilities, criticism, and forgiveness that might never come. Why should I be doubted, demanded to provide evidence, and forced to explain myself?